

We Will Sing is a work of memory and imagining. Drawing on the origins of the textile processes that once filled this huge space, Hamilton’s site-responsive installation weaves together voice, song and printed word in a material surround made from raw and woven wool sourced from local textile companies H Dawson, based at Salts Mill, and William Halstead, which celebrates its 150th anniversary in 2025.
Curated by June Hill and Jennifer Hallam, We Will Sing features vocal and music collaborations with Emily Eagen and a new film created by Bradford-based filmmaker Ali Lycett that contextualises Hamilton’s practice and documents the making of the installation. A major engagement programme includes tours, readings, special events and an open invitation for us all to write a letter to the future, addressing the question at the heart of We Will Sing: What does the future need to know?
• The Hands of We Will Sing, a film by Ali Lycett on the making of We Will Sing
• Write your letter to the future, an invitation to submit a letter to the project
• We Will Sing : Letters to the Future, a selection of letters that have been shared with the project
three slowly-rotating speaker mechanisms placed across the immense Spinning Room on the upper floor of Salts Mill



















Photo credits: David Lindsay, Ann Hamilton Studio
related
Memory, Love and the Future: Ann Hamilton’s ‘We Will Sing’ at Salts Mill – Review by Keith Fenton
Acclaimed American artist Ann Hamilton's installation inspired by the history and regeneration of Salts Mill
Ann Hamilton On ‘We Will Sing’, State of the Arts